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I see painting as a contemplation of the world around me. The more I paint and observe, the more I am amazed by the beautiful
complexities of Nature. From the seemingly modest - the silver
scales of a fish - to the turn of a head and the radiance of living
breathing skin, I try to capture and bring this wonder into my
pictures.
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Gabriela
Denny Segura FRSA was born in Spain in 1972 and has lived and travelled
extensively around Europe and America. She was classically trained as a painter in Florence at the Cecil Graves Studio in 1990/1 and subsequently at the Charles H. Cecil Studio from 1999 to 2002.
Following a degree in Art History at the University of Edinburgh, she worked full time with John Ward CBE RA in his studio near Canterbury from 1995 to 1997 as his assistant and apprentice. During the summers of 1999 and 2000, she assisted John Ward and Gordon Davies with the Millennium Mural at Challock Church, near Canterbury.
In 2000 she was selected as a Queen Elizabeth Trust Scholar by the Royal Warrant Holders Association and was awarded a scholarship by the Elizabeth Greenshields Foundation in Canada. These awards permitted her to return to Florence to specialise in Portraiture.
She currently lives in London and as well as painting has been teaching at the London Atelier of Realist Art. |
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| 2010 |
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"Artists for Africa"
Special Charity Exhibition at the Oakham Gallery, London, in aid of
The Friends of Africa Foundation |
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| 2009 |
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Queen Elizabeth Scholarship Trust
Scholars Exhibition
GTC, London
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| 2009 |
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Royal Society of Portrait Painters, Mall Galleries, London |
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| 2008 |
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ING Discerning Eye Exhibition, Mall Galleries, London
Selected by Bob Benton and Robin Morgan |
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| 2008 |
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"Still-Life", Campden Gallery, Chipping Campden |
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| 2008 |
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"Gallimaufray"and "Still-Life", Highgate Fine Art, London |
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| 2007 |
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ING Discerning Eye Exhibition, Mall Galleries, London
Selected by Charles Saumarez Smith |
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| 2005 |
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"Gabriela Denny Segura, Scott Pohlschmidt and Ann Witheridge", Shepherd Market, London W1 |
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| 2003 |
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"Ann
Witheridge and Gabriela Denny Segura", Shepherd Market, London
W1. |
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| 2001 |
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Charles
H. Cecil 10th Anniversary Show,
Paul Mitchell Gallery, London |
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| 2004 |
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Dr. Donald Rees, Warden, Hugh Stuart Hall, University of Nottingham |
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| 2000 |
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Rt. Rev. Crispian Holllis, Bishop of Portsmouth |
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| 1999,
2000 |
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Millenium
Mural, Church of Saints Cosmas and Damian, Challock, near Canterbury,
assistant to John Ward CBE and Gordon Davies |
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Elizabeth
Greenshields Foundation Grant |
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| 2000 |
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Queen
Elizabeth Scholarship awarded by the
Royal Warrant Holders Association |
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| 2000 |
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Elizabeth
Greenshields Foundation Grant |
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| 2000 |
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Fellowship
of the Royal Society of Arts |
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| 2000-2002 |
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Charles
H. Cecil Studio, Florence
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| 1995-
1997 |
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Assistant
and Apprentice to John Ward CBE |
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| 1994,
1995 |
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Charles
H. Cecil Studio, Florence |
st
jerome, 1991,
charcoal on paper
70x50cm |
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| 1990- 1991 |
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Studio
Cecil-Graves, Florence |
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The
teaching method employed at the studios in Florence is based on Nineteenth
Century Atelier Practices of drawing casts and Nudes. Students are
taught to depict the subject to scale using the sight-size method,
whereby the drawing is set up so that the subject appears the same
size as the rendition when viewed together from a specific distance.
This technique is also used in painting casts, nudes and portraits
but is seldom taught in art school today. |
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nude,
2001
charcoal on paper
48x36cm |
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History
of Art, MA (Hons), University of Edinburgh
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| 1981-1990 |
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Bedales
School |
miss
rita ogando posing
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